In SSCBCL, fans will see teams from different districts of Maharashtra featuring artists. These teams will include male and female artists, media professionals, and influencers. The teams will be announced soon, named to evoke environment, culture, and forts: Ratnadurg-Ratnagiri, Sindhudurg-Malvan, Tadoba-Nagpur, Ajinkyatara-Satara, Shivneri-Pune, Panhala-Kolhapur, Godavari-Nashik, and more. The league, teams, and artists’ announcements, along with the logo reveal, will happen soon in the presence of Hon. Deputy Chief Minister Eknath Shinde, confirmed league chief Sushant Shelar.Sushant Shelar has successfully introduced innovative entertainment concepts before. With the same zeal, he’s taking SSCBCL across the seven seas to Dubai, gearing up the Marathi film industry for a fresh wave of fun.

By Keerti Kadam

The post Marathi Artists’ Cricket League Set to Shine in Dubai! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

Revealing what excited her to take up the role, Pranoti shared, “When I consider a new role, I look for something that is meaty and worth my time and effort. The character needs to have depth, especially when it requires long hours and extensive travel. When I received the audition script for my role in Ishq Jabariya, I was immediately drawn to it. I play Madhumita, who is a strong woman from Bihar who forces young men into marriage—a real ‘Dabangg’ lady. They even suggested I ride a bullet bike for the role, which added to its appeal.”

Talking about the challenges she faced, Paronti added, “As a Maharashtrian, I had never used a Bihari accent or language before. It was both stressful and challenging, but it excited me. The curiosity to wake up every morning and explore something new was energising. I wanted to see how much I could push myself as an actor to play a Bihari character.”

“Ishq Jabariya” is a touching love story about Gulki, a lively young woman who dreams of becoming an air hostess. Despite facing tough times with her mean stepmother, Gulki stays hopeful and positive. Her journey is full of unexpected events, and she might even find love where she least expects it. The series features Kamya Panjabi, Siddhi Sharma, and Lakshya Khurana in key roles and promises a tale of strength, surprises, and the magic of love.

Tune into Sun Neo to watch Ishq Jabariya, every Monday to Saturday at 7:30 PM.

By Keerti Kadam

The post Maharashtrian Pranoti Pradhan plays a Bihari character with elan in Sun Neo’s ‘Ishq Jabariya’! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

Ramesh aka Ramya (Prathamesh Parab) visits his maternal uncle, Mama, (Abhijit Chavan) in Mumbai. He goes for an interview of a manager but lands up as a peon in the same office. His Gujrathi boss Jigneshbhai or Jignes (Sameer Choughule) is not happy with his work and after Ramya commits one mistake Jignes throws him out of the office. In the meanwhile he meets a beautiful girl, Ayesha (Ankita Lande), and falls in her love. She too reciprocates but as Mama is unable to return funds loaned by Rashid Bhai (Sandeep Pathak), Rashid Kidnaps Ayesha. But a Don Anna (Vaibhav Mangale) take both Rashid and Ramya to task and to save Ayesha and Rashid’s sweerheart Sania (Sanika Kashikar), Ramya, Rashid and Mama take an illegal route. What transpires around it forms the crux of the story.

The story is typical mad comedy with witty one-liners interspersed everywhere. The screenplay has too many incidents and the climax is a bit jumbled up. The movie is on the lines of Rohit Shetty’s comedy films as one of the writers happens to be former’s ex-assistant. Director Shailesh Shetty keeps the proceedings comic but the editor should have made the film a bit pacy. Music is good and adds value to the story. Cinematography is good but the technical aspects should have been a bit better. Prathamesh Patab has his own style of comedy and delivers in style. His comic timing is impeccable and portrays his character sincerely. Abhijit Chavan’s slapstick comedy steals the show. Sandeep Pathak should have avoided copying Sayaji Sinde’s style of acting. Vaibhav Mangle is passable as he delivers an one dimensional character. Ankita Lande looks utterly beautiful and sparkles whenever she is on screen. She has acted well too.

Hoy Maharaja is a family entertainer and the set of comic actors tickle audiences’ funny bones.

Rating : ***1/2

By Keerti Kadam

The post Review : Hoy Maharaja : This crime-comedy entertains! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

Actor Anshul Pandey, who plays the titular role of Vansh in Flash, opened up about his memories and shared, “Gudi Padwa holds significant importance in Hindu culture as it marks the beginning of the Hindu New Year. I was born in Delhi, where the festival is not widely celebrated. However, since moving to Maharashtra, I have observed that Gudi Padwa is a grand festival here, celebrated by many. It is believed that on this day, Lord Brahma created the universe. The festival also commemorates the victorious return of Ram Bhagwan to Ayodhya. In Mumbai, I know many people who celebrate the festival. They decorate their houses with Toran, especially adorning the entrance with beautiful rangolis.”

He added, “It also signals the arrival of the spring season. In Mumbai, I have enjoyed dishes like puran poli and puri bhaji during the celebrations over the years, cooked by local friends in their households. On this Hindu New Year, I wish everybody prosperity and good luck.”

Sagar Kapoor, who plays the younger brother Aryan in Watcho Exclusives series Flash expressed, “Gudi Padwa marks the beginning of the new year according to the lunar calendar. It’s a time to renew ourselves physically and spiritually, as well as the world around us. Let’s use this festival as an opportunity to commit to building ourselves into healthy human beings.”

Actress Khawahish extended her warm wishes and said, “Happy Gudi Padwa, Happy New Year, Happy Spring, Let’s All Blossom!”

“Flash” is a gripping mystery thriller featuring Anshul Pandey, Sagar Kapoor, and Khawahish in lead roles. Directed by Shaurya Singh, the series unfolds the intriguing story of Vansh Kundra, a talented portrait photographer whose life takes a dark turn during a routine shoot. Paired with the mysterious Aksha Chauhan, Vansh enters her opulent yet eerie penthouse, only to witness a chilling transformation in Aksha’s demeanour. As Vansh delves deeper, he discovers a labyrinth of deception and secrets, questioning the very reality he once knew. With each episode, “Flash” unravels the layers of this twisted tale, leaving viewers on the edge of their seats, craving answers. Will Vansh untangle the enigma surrounding Aksha in time, or will he succumb to the sinister forces at play? Stream the enthralling series now on the Watcho App.

The post ‘Flash’ actors Anshul Pandey, Sagar Kapoor, and Khawahish’s good wishes for Gudi Padwa! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

Every budding youth living in the country has a dream to go abroad and try his luck on the foreign shores. The story of one such young man living abroad has been showcased in the movie ‘#Jivhari’. The world digital premiere of the film will be held on 26 February 2024 on #Marathi #OTTUltraZakas and the audience will be able to experience the film in a unique way.

A young man from Maharashtra who works abroad returns to his home country. After returning to his hometown, he decides to find his means of livelihood here without returning to any foreign country. This young man becomes a burden on his parents as he changes fourteen jobs. Later he does something which surprises everyone. ‘Jivhari’ consists of refreshing performances from artists like Nikita Suresh Kamble, Suyog Sudarshan Bhore, Omkar Singh Uday Singh Rajput, Neil Rajurikar, Manisha Damodar More. The film is produced, written and directed by Ganesh Shankar Chavan.

“We are bringing films based on many subjects to the audience. On this occasion, we are presenting a content-rich motivational film ‘Jivhari’ through Ultra Zakas OTT that will inspire the youth. We are constantly striving to bring new and exciting movies to keep the audience entertained for hours,” CEO of Ultra Media and Entertainment Private Limited. Mr. Sushilkumar Agarwal said.

The post ‘Jivhari’ to premiere on Ultra Zakas Marathi OTT! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

Along with production, Mahesh Nene has also directed ‘Daak’. Pickle Entertainment’s Sameer Dixit and Rishikesh Bhirangi have undertaken the monumental task of taking the film on a different level through distribution. This film stands apart from the mainstream, leading to a very different subject. Even in today’s progressive era, it sheds light on a deeply rooted tradition in society. This perception remains relevant to us even in the present time. This film sheds light on various subjects.

Our country had many traditions and customs. Some traditions were maintained despite not being sanctioned by law. While some traditions have ceased due to the progress and influence of education, a few traditions still exist in certain regions. Among them, this film comments on the practice of Daak. On the twelfth day after a person’s death, the spirit of the deceased is summoned by a letter about the reason for his sudden departure. Based on this theme, the film ‘Daak’ is a thriller, a murder mystery.

Mahesh Nene has not only directed Daak but also written the story for this film. Alongside Ashwini, actors like Sanjeevani Jadhav, Aniket Kelkar, and others will also be seen in this film. The shooting of the horror film ‘Daak’ has been completed and the film will hit the screens on October 13.

The post A thriller, a murder mystery ‘Daak’ will hit the screens on October 13! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

Aflatoon (Marathi) All India Net Box Office Collections Day 4 are as follows, Mumbai – Rs.78.83 Lakhs, C.P- Rs.31.80 Lakhs and Marathwada – Rs.18.16 Lakhs. Aflatoon is growing each day through positive word of mouth. The film is Written and Directed by Paritosh Painter. The film released in theatres on 21st July 2023.

The post Aflatoon is growing each day through positive word of mouth! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

Sharad Kelkar has a been part of the entertainment industry since 2004 and has been doing notable work too on small as well as big screen. But Sharad received immense popularity when #Bahubali was released in 2017. Bahubali was the biggest hit in Hindi too in the longest time in the history of Bollywood. Primarily it was made in Telugu by #SSRajamouli which starred #Prabhas. Even Prabhas, who was a superstar down South, became a Pan India star and got immense popularity throughout India. Also alongside Prabhas, #SharadKelkar too became a household name overnight because of Prabhas and his role in Bahubali. So how Sharad Kelkar gained so much popularity? He was the Hindi voice of Prabhas. His voice gave him instant pan-India popularity. In fact he made Bahubali famous across nation. Sharad Kelkar voice overs majority of #Hollywood films and is a noted actor in #Hindi, #Marathi, #Telugu & #Tamil films.

Sharad Kelkar is a product of television and debuted on #Doordarshan with #Aakrosh. Good looks and good physique and in addition to a wonderful voice landed him multiple roles on small screen. He met his beautiful wife Keerti Gaikwad, an actress too, during acting in one of the serials and both fell in love and got married in 2005. In 2006 they both participated in a dance reality show ‘Nach Baliye’. Sharad was always a sought after actor on television but he was keen on featuring on big screen. He has been part of many noted Marathi and Hindi films. Sanjay Leela Bhansali’s ‘Gooliyon Ki Raasleela Ram Leela’ brought him in the limelight because the film was a superhit. His grey shade role was well received by the audiences. Then came a Marathi film Lai Bhaari, which was Riteish Deshmukh’s Marathi debut film, wherein he played an antagonist and won accolades for his portrayal. Sharad has been part of many films including Hero, Mohenjo Daro, Rocky Handsome, Irada, Bhoomi, Rakshas, Youngraad, Madhuri, Housefull 4, Bhuj etc to name a few.

Sharad Kelkar played Chhatrapati Shivaji Maharaj in Ajay Devgn starrer “Tanhaji” which was hailed by everyone. Interestingly enough Sharad played Shivaji Maharaj’s trusted soldier Baji Prabhu Deshpande in Har Har Mahadev, which too was lauded by everyone. Then his transgender avatar in Laxmii, starring Akshay Kumar, was talk of the town as he played it with utmost authenticity. His recent releases has been Code Name Tiranga, Chor Nikal Ke Bhaga, Chatrapathi. Our Sr Editor Keerti Kadam interacted with Sharad Kelkar and discussed many topics.

These days quite a few films are released on OTT. Your ‘Chor Nikal Ke Bhaga’ too was released digitally. What is your opinion?
These days makers are bringing interesting stories. OTT is a place where film makers can express themselves the way they want to. Also they can make movies without having the box office pressure. Of course, you ought to make a good movie. My Chor Nikal Ke Bhaga was released directly on OTT because it was a commissioned film. It was made for the OTT platform by Netflix. The interesting part is that this movie was declared a big hit and I am happy that OTT releases too are taken seriously by the audiences and the film industry people. CNKB has an interesting plot and where a common viewer’s guess ends, the writer and directors’ verity starts.

The plot is not run of the mill. It has been written well and Amar Kaushik has directed it beautifully. The screenplay is pristine. When I got a narration I was imagining what will happen next. But everything happening later was beyond my imagination. As a character also I was trying to find out who he was or what was he doing in that chaos. I played an interesting character in CNKB and on the whole the film has thrills, chills and entertains heavily. And it’s not a plain thriller, it has heist, it has hijack, so the plot gets interesting as the minutes go by. The sequences in the plane look authentic and the viewers got the realistic feeling. For any actor or a viewer who’s a thriller lover it’s a very intriguing film.

You have been part of different genres. Do you do it consciously?
I’ll say, I am lucky that I get the opportunity to play diversifying characters. I am thankful to my producers and directors for taking risks in investing in me. About changing genres, I have been doing it for the last 18 years. I feel that if I’ll not be able to surprise myself then how will I surprise my audience? The viewers must get surprised with my work. So in a way consciously I try to do different stuff and am fortunate enough for getting that opportunity.

How do you lock your scripts? What’s your preparation process?
Whenever a film is offered to me and if my heart says yes, then I do it. See, it’s important to convince yourself about the character you are playing. If you do not relate to it or don’t believe in it, then there’s no point in playing it. I take my parts seriously and try to project the character in the film. After all these years, one gets an idea about the scripts during the narration.

First and foremost the script is important. Secondly I see what my character is doing in the script, whether it is helping narration move forward etc. Next is the director. I interact with the director to understand about the nuances of the character. Then I think of what I can bring to the table to make this character more interesting. If the director seems rigid, not giving freedom to the actors to develop their characters, then it’s a risky proposition. The producer and the banner also play an important part in decision making. And last but not the least, the pay check. Money too is an important aspect of signing a film.

How much important the director is for you?
He is very important. Off late sometimes I go wrong with my judgement. But I go with my gut feeling about a person. 99% of the times I’ve been right. 1 or 2 cases were unpleasant but that’s fine. Director is the person who has the complete vision in his mind. We actors do our roles but with discussion an actor can bring novelty to the character.

How do you deal with success and failure?
When a particular film doesn’t do well, I do feel bad about it. But I am a very honest guy, I realise what is the problem in the film and you get to know that in this particular way maybe the film is not good or didn’t pan out the way we thought it will. I don’t get into problems nor blame it on anyone by saying he or she is responsible. No worries, it wasn’t the time so the film didn’t do well. Every film is born with it’s fate. I accept it and move on.

On switching roles do you fear whether you’ll get appreciated or not? How do you differentiate the choices of your films?
I don’t fear that. My only fear is, will I like and accept myself in that role? That matters to me. Conviction is very very important for me. I do two different films in one passing day. One positive character and another negative. If I start thinking ‘Mujhe Sab Kuch Aata Hai’ then I won’t be able to work further and that will stunt my progress.

Acting remains the same at the end of the day whether it’s for theatrical release or on OTT. I’ll do to the best to my capacity. I can never say that, if the film is for theatre, then i’ll act this way or if it’s OTT then in a different way. Acting is acting, whatever the medium be. For me each project is important and I do it with utmost sincerity.

After playing Chhatrapati Shivaji Maharaj what difference did you find in your career graph or people approaching you?
It has changed a lot. I run away from typecasting as I said earlier because I was not getting any opportunity before Tanhaji. Then again, if you don’t get opportunities how will you showcase your talent? Or for that matter what capacity you have in terms of acting? So, after I played Chhatrapati Shivaji Maharaj in Tanhaji, things have changed positively. Now makers call me for different kind of roles and that’s what any actor wants to be called, a versatile actor.

You have a rich baritone voice. Has your voice become hindrance for your characters?
Yes, it has. Absolutely it was a hindrance in certain cases. Sometimes it’s an advantage sometimes it’s a disadvantage for certain characters. In few characters I try to portray in a very simpler manner but because of maybe my structure or voice it looks very powerful. Then I change it accordingly or if I have to do a certain kind of role, I’m very careful of how to use my voice. Frankly most of the time my voice has been advantageous.

There is a comparison between your voice and Amit Ji’s voice…..
(Laughs) They are not comparing his voice, his voice is much much better. Big B’s voice is way superior. There is no comparison. But yes, people are not comparing, they are liking my voice equally to Mr. Bachchan. I read that or heard somewhere on youtube that after Mr. Bachchan’s voice there is one voice they spoke about is, my voice. Again I can’t understand my voice as I’m hearing it everyday 24/7.

Are you working on your voice?
Lol. I do not do anything. It’s natural and I let it remain natural. I eat everything. Khatta, Mitha sab kuch khata hun. So the answer is No. I do not do anything for my voice. But yes, I am asked and forced to work on my physique. I am the most lazy human on this planet earth. I just want to eat and sleep.

You wanted to be in army? How much engrossed are you into fitness?
I wished to go to the Armed Forces but due to me being super lethargic it didn’t happen. Then my attitude became let’s just sit back and chill in life, why to go there. I was a gym instructor. I have spent so much time in Gyms that now I do not even want to look at a Gym, forget working out there. But nowadays I try and go to the gym. I’m little cautious about my sleep and food intake though. Now, food is better but sleep is little deprived. I have been doing back to back projects and that’s why I am sleep deprived.

What is your preparation point while playing a historical character?
Historical characters are difficult to play. You cannot err there because so much information is available in the public domain. One needs to be sensitive and disciplined while playing any historical character. You can’t take it lightly because there is a lot of responsibility on your shoulders. To be serious about the character which you’re playing and preparing for, you need to look like the character, sound like him, give the best portrayal which you want to see.

The post Sharad Kelkar : I can’t understand my voice as I’m hearing it everyday 24/7! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

#HariharanAnanthaSubramani is prominently known as a #GhazalSinger, He has 30 gazal albums to his credit, but his #Bhajans and film songs too are very popular. He has touched many lives in over four decades of his career. Additionally he is into fusion music which makes him a versatile singer. In assosiation with musician Leslie Lewis he formed a two member band, Colonial Cousins. The album had two major hit singles, ‘#Krishna’ and ‘#SaNiDhaPa’ (Never Know the Reason) which repeatedly played on #Music channels. Now they have parted ways. He is an established ghazal singer and one of the pioneers of Indian fusion music. #Hariharan has been equally popular with older as well as younger listeners as he keeps experimenting about his singing. Moreover he has sung in multiple languages, which include #Tamil, #Hindi, #Telugu, #Malayalam, #Kannada, #Sinhala, #Bhojpuri, #Bengali, #Odia and #Marathi. There are more than 15000 songs to his credit and that says a lot about his talent and versatility. Recently he released a new Ghazal titled, ‘#Dooriyan….’ and it proves that a good artist can never be away from music. Not that Hariharan ever took a break and at the age of 67 too his voice is loved by the music lovers. He can encapsulate any genre in singing with ease. ‘#PadmaShri’ Hariharan interacted with our Sr Editor Keerti Kadam. Excerpts…

Your new Ghazal ‘Dooriyan…’ is out now. What’s your views on it?
Ghazal is my favourite singing genre. Talking about Dooriyan it’s a well crafted song. It’s a cross-country collaboration that depict emotions of a heartbroken person in love. I was approached to sing it by Kailash Gandharv, a music composer from Ujjain. He sent me the composition. I suggested a few changes. Then the lyrics by Madan Pal though very good but were too many. There were too many stanzas. So I and my co-singer Sadhana Jejurikar decided on which stanzas to keep and which each one of us to recite. My son Akshay has produced this gazal and while he professionally managed the arrangements and dubbing etc, has put in his inputs which will help the song to reach out to the younger generation. Instead of 4 by 4, (each measure contain four quarter note beats) he has recorded it in 7 by 8. The soundscape by him is modern which sounds like today’s song. He does have musical instinct which helped the song to pan out beautifully. I and Sadhana dubbed it and now it’s in front of you and hopefully everyone will like it.

Hariharan, in his early career, has cut several successful Ghazal albums, writing most of the scores himself. One of Hariharan’s first ghazal albums was ‘Aabshar-e-Ghazal’ with legendary Asha Bhosle which went gold in sales. His another popular Ghazal album was Gulfam which not only hit double platinum in sales but also fetched Hariharan the Diva Award for the Best Album of the Year in 1995. The other major ghazal albums by him are Hazir, Jashn, Halka Nasha, Paigham, Kaash and Lahore Ke Rang Hari Ke Sang. Hariharan has also worked with tabla maestro Zakir Hussain on his album Hazir. He has A R Rahman as a fan and both, for the first time, worked together for ‘Roja’ for a Tamil song ‘Thamizha Thamizha’.

Given the pop culture ruling charts, do you think the youngsters like to listen to Ghazals?
Of course. I strongly believe that even youngsters are interested in Ghazals. I was in Delhi for a concert just a few months back and there was a crowd of around 15000 people which included 10000 youngsters. Even in my Bhopal Ghazal concert there were majority of younger audience in 5-6 thousand crowd. In Indore concert too similar thing was observed. So I know for sure that plenty of youths follow ghazal and it’s a good sign for this genre. In Mumbai’s NCPA auditorium too there are 2000 people where good percentage of youngsters are present. Ghazals were popular earlier and it’s popular even today despite onslaught of other popular songs. As long as there is love in the world, and for that matter break up too, Ghazal will exist.

But, I think that today’s music is short lived. Most of the songs which are considered popular are forgotten in no time. Today’s songs are made popular with Hammering. If a song is played for 10000 times, it obviously is going to get noticed. But that’s not Real popularity. The songs are forcefully thrown down the throat of the listeners. I believe in versatility. I am eager to learn new points of views. I am approached by new composers, some of them are from rural areas too. I love folk music. I tell them that I am in your hands for the next three hours and my slate is clean now. Treat me like your student. I believe in following the composers’ vision because they know the idea behind it. Frankly I befriend them so that they are not in awe to work with me. I believe in the end product being good. I tell them that it’s up to you to make me sing the way you have visualised the song. I have learnt this from great singers like Lata Mangeshkar, Asha Bhosle etc who used to surrender before the composer’s vision and sing as per their requirements. In the process you drive away monotony.

Hariharan and late Gulshan Kumar recorded Hanuman Chalisa under the T-Series label which crossed three billion views mark on YouTube. It’s the first first devotional song in the world to do so.

How do you feel for this feat?
Gulshan Kumar was very close to me. The rendition of Hanuman Chalisa was very dear to me and him. I think Hanumanji is more popular (laughs). Gulshan bhai used to urge me to sing more devotional songs and bhajans. A lot of people across country tell me that Sir, we listen to your Hanuman Chalisa everyday. Again it’s considered auspicious as it is played at the inaugural events too.

What difference do you find in yesteryear and today’s songs?
Today, octave has become very high. Whatever the emotion, love, pain or anger, the song is sung at high pitch. I fail to understand the reason behind it. Maybe when a song is recorded at high octave, the instruments too are played at high octave, resultantly the vibrations are very high. And everything put together the song sounds catchy. I wonder why today’s singers sing in high octave? Moreover most of the songs have doctored voices.

Taking this further, do you think whether it’s justifiable for film stars to sing?
I personally can not comment on that. I have just acted in a Malayalam film (smiles). But in earlier times there used to be singing stars. You were offered acting assignment only if you knew singing. But in the changed scenario I think it’s okay for a film star to sing a song here and there. Some actors have passion for singing and if they are good at it, then why not? See, stars are extremely popular and even if they sing not that brightly, their fans will forgive them. If the song suits the situation and his or her voice supports that situation, then the star is justified. Also some sing for fun, so it is okay if film stars try to sing in films or otherwise. But I think film music is not music per say. It is for media, i.e. Films.

At the start of his career, Hariharan did the concert circuit and also performed on TV. He sang for a number of TV serials like Junoon. He is a trusted singer for A R Rehman because both collaborated for many films, including Muthu, Minsara Kanavu, Jeans, Indian, Iruvar, Guru, Enthiran, Sivaji to name a few. Apart from outstanding singer Hariharan is a composer too and have composed for a polish film ‘No Means No’. Hariharan is the recipient of the coveted National Award, twice. He won it for a the song ‘Mere Dushman Mere Bhai’ from ‘Border’ and second one was the song, ‘Jiv Rangla’ from the marathi film ‘Jogwa’.

The post Hariharan : The Pioneer of Indian Fusion Music! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

Baipan Bhari Deva is a film all-things woman. It follows the story of six sisters and their different ambitions as they navigate their complex relationships addressing various aspects of womanhood, be it traditional notions or breaking stereotypes.

A compelling and empowering portrayal of strong women that showcases their various layers, their attitude towards life and their families, the sisters face their own differences and revisit past challenges to join forces for an epic stand-off. Emerging from the chrysalis of their everyday existence, in a realistic and heart-warming portrayal of female bonding, Baipan Bhari Deva salutes the passion and resilience of every woman.

Presented by Jio Studios, produced by Jyoti Deshpande & Madhuri Bhosle, co-produced by Bela Shinde & Ajit Bhure with a stellar star cast of Rohini Hattangadi, Vandana Gupte, Sukanya Mane, Shilpa Navalkar, Suchitra Bandekar and Deepa Parab, directed by Kedar Shinde, Baipan Bhari Deva is an entertaining family drama that teaches some important life lessons in a light vein. The film releases in cinemas on 30th June 2023.

https://twitter.com/sachin_rt/status/1633362548706930688?t=wQzb2428I4pHDqfz02jWSw&s=19

The post On International Women’s Day, Sachin Tendulkar announces the release date of Jio Studios’ ‘Bai Pan Bhari Devi’! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.