‘Raat Akeli Hai: The Bansal Murders’ Actor Nawazuddin Siddiqui Talks About Reprising Jatil Yadav Once Again!

When Raat Akeli Hai released first on Netflix, audiences met a protagonist unlike the typical screen detective. Inspector Jatil Yadav wasn’t loud, flamboyant, or eager to dominate a room. He was a man of silences, watchful, withholding, quietly fractured. And yet, through #NawazuddinSiddiquis restraint, he became unforgettable. Much like Nawazuddin himself.

Now, years later, with Raat Akeli Hai: The Bansal Murders on Netflix yet again, Nawaz steps back into Jatil’s world, a world of shadows, whispered motives, and the kind of moral ambiguity that erodes certainty one layer at a time. For the actor, the return feels less like revisiting a role and more like resuming a conversation left unfinished.

“Jatil isn’t the same man anymore,” Nawaz reflects. “Life changes you. Time changes you. Cases change you. But the one thing that hasn’t changed is his relationship with the truth.”

The new film, produced by RSVP and MacGuffin Pictures, pushes Jatil into a more complex, morally treacherous terrain. The stakes are higher, the lies run deeper, and every character connected to the Bansal family guards something they’re unwilling to say out loud. For Nawaz, navigating Jatil’s evolution meant rediscovering his emotional temperature, still quiet, still internal, but carrying the weight of years that have hardened and sharpened him in equal measure.

What makes Jatil compelling, Nawaz says, is his duality. He is deeply human yet uncompromising; introspective yet unblinking in the face of danger; flawed yet pulled forward by a moral compass that refuses to bend. “He still looks at a case with objectivity, with that razor-sharp instinct,” Nawaz says. “No matter how much pressure he faces, or who stands in his way, he doesn’t walk away from the truth.”

The film leans into the atmospheric realism that defined the first film, where stillness, silence, and the emotional tension  linger in the spaces between words. But this time, the canvas is larger. The mystery unfolds inside the charged world of the Bansal family, where power, privilege, guilt, and generational secrets collide. Jatil stands at the center of this storm, piecing together a puzzle built not just on crime, but on human darkness.

For Nawazuddin Siddiqui, this chapter demanded a deeper internal excavation. “Jatil is not a man who shows you what he’s feeling,” he says. “Everything is beneath the surface. To play someone like that, you have to sit quietly. You have to let the silences work especially when you are a small town cop, standing in the face of authority. As is all too familiar in our country. ” Nawazuddin emphasizes the importance of restraint and realism in playing Jatil, rather than over-dramatization.

He describes the process as both challenging and strangely intimate, slipping back into a mindset defined by hesitations, unresolved questions, and the quiet ache of a man who has seen too much and said too little. “He still carries his past. He still struggles with it. And that becomes part of how he sees this new case. As an actor, reprising the same role after such a long period requires you to dig deep and remind yourself of the person that you were and how both you and the character have and should have evolved.” Nawaz shares.

Working again with director Honey Trehan deepened this exploration. “Honey understands the world of this film in a very sensitive way,” Nawaz says. “His direction is subtle but very precise. There’s a discipline in the way he builds tension, with silence, with pauses, with what’s not being said.”

Following its world premier at the International Film Festival of India (IFFI) last month, the film released globally on Netflix on 19 December and received immediate critical acclaim on the opening weekend. The excitement was twofold: the return of a beloved character and the expansion of a noir universe that struck a chord with critics and the fans who embraced its unhurried pace, its emotional complexity, and its refusal to offer easy answers.

For Nawazuddin Siddiqui, stepping into Jatil Yadav once again felt inevitable. “Some characters stay with you,” he says quietly. “Jatil was one of them. He still is.”

Streaming only on Netflix, Raat Akeli Hai: The Bansal Murders from 19th December.