Marathi theatre has long been known for its bold experimentation and strong focus on content-driven storytelling. Playwrights and directors consistently explore unconventional themes, without relying solely on commercial formulas. Minimalist sets, innovative lighting, and non-linear storytelling techniques are often used to enhance the impact of the subject. Solo performances and intimate stage formats have also gained popularity, allowing deeper character exploration.
The new play Animal stands out for its unique concept of a solo performance surrounded by mute co-artists. Siddharth Jadhav, who plays the sole and central speaking character, has also ventured into production with this play. Renowned actor-director Mahesh Manjrekar has directed the Marathi version, while he himself plays the central role in its Hindi adaptation. Interestingly, both the Hindi and Marathi versions are musicals, with the music also composed by Manjrekar.
Dattatray “Dattu” Manjarsumbhekar (Siddharth Jadhav) is a small-town boy who comes to Mumbai to become an actor. He narrates his struggling days to those around him and eventually gets an opportunity to meet director Sandeep Reddy Vanga, who is keen to cast him in a lead role in Animal. What transpires thereafter forms the crux of the narrative.
Writer-director Mahesh Manjrekar has woven a story that many struggling actors will relate to. With minimalist sets, the narrative progresses with the support of Bollywood songs and numerous references to the industry and its personalities. Aspiring actors will connect with the theme of dreams being shattered by the harsh realities of Mumbai. Siddharth Jadhav ably carries the play on his shoulders, though slight improvements in voice modulation at certain points could elevate his performance further. He successfully blends dark humour with intense emotional moments, while the rest of the cast provides solid support. A play worth watching for Siddhart Jadhav’s high energy performance and experimental presentation.
Rating: ***
By Keerti Kadam