Q: There is often a perception that female actors don’t get along. Were there any catfights on the sets of Musafir Cafe?

Vedika Pinto: I think such situations can happen, but they have more to do with individual insecurities than gender. If you carry insecurity onto a set, resentment is bound to build up. Fortunately, Mahima and I approached the project with mutual respect, which made working together effortless. The atmosphere on our set was filled with warmth and encouragement, and that naturally reflected on screen.

Q: How did Musafir Cafe come your way?

Vedika: I was promoting Nishaanchi when casting director Karan Mally called me about a Netflix love story. At that point, I was still mentally immersed in the intense world of Nishaanchi, so switching to romance felt unusual. But I trusted Karan’s instincts and was eager to explore a softer genre after films like Gumraah, Operation Romeo and Nishaanchi. After several auditions and a chemistry test with Vikrant Massey, I read the script and immediately knew I wanted to be part of it. The story was beautifully written, and the emotional journey of its three central characters was impossible to resist.

Q: Were you intimidated about working with Vikrant Massey?

Vedika: Absolutely. Before meeting him, I was nervous because he is such a respected and accomplished actor. But those fears disappeared almost instantly. Vikrant is an incredibly generous performer who gives so much to every scene that it naturally brings out the best in his co-actors. My initial intimidation quickly turned into admiration, and we developed a wonderful creative chemistry.

Q: How was your bond with Mahima Makwana?

Vedika: I have immense respect for Mahima’s journey. She has been acting since childhood, and that’s inspiring. More importantly, there was genuine affection and mutual respect among the entire cast and crew. Such an atmosphere doesn’t exist on every set, and I believe that positive energy contributed immensely to our performances.

Q: Since Musafir Cafe is based on a novel, did you read the book before filming?

Vedika: I hadn’t read it before shooting, although I knew it was quite popular. Interestingly, I first discovered it in my own kitchen because our cook, Soni, was reading it. Later, my grandmother borrowed it, and eventually it found its way to me. I read it after the shoot. While the series retains the essence of the novel, the characters and story have evolved significantly, with a much stronger female perspective.

Q: How much do you relate to your character, Sudha?

Vedika: I honestly believe every woman has a little bit of both Sudha and Preeti within her. We all carry different emotional shades depending on the situations we face. That’s what makes these characters so relatable and human.

Q: Do you think Musafir Cafe works better as a web series than as a film?

Vedika: Yes. The writer has explored the emotional layers of every character in great detail, and that depth would have been difficult to achieve in a feature film. A series gives audiences more time to connect with the characters and experience their emotional journeys. As actors, we trusted the writer’s vision completely.

Q: Romance has become relatively rare on OTT. Do you think audiences still want such stories?

Vedika: Definitely. Personally, I love ending my day by watching something warm and comforting. Crime thrillers can be exciting, but they also keep you awake. Romantic stories leave you with a sense of happiness and emotional fulfilment. I think audiences have been waiting for shows that celebrate love again.

Q: Your career has moved from Liggi to intense films like Nishaanchi and now to Musafir Cafe. Are you happy with this diversity?

Vedika: Very much. I feel fortunate that no two projects in my career have been alike. As actors, we constantly want to challenge ourselves and discover new facets of our abilities. Every character allows me to explore a different side of myself, whether it’s the carefree girl from Liggi, the gritty world of Nishaanchi, or the romantic and emotionally layered Sudha in Musafir Cafe.

Q: Nishaanchi received appreciation for your performance but didn’t perform well commercially. How did you deal with that?

Vedika: It was heartbreaking because I had invested nearly three years of my life in that film—from workshops to learning the dialect and preparing for the role. Naturally, you hope such a project will find its audience. The theatrical performance was disappointing, and its OTT release happened without much notice. However, with time I’ve realised that many things are beyond an actor’s control. What remains with me is the pride of having been part of Nishaanchi and the appreciation I continue to receive for my performance.

Q: How collaborative was the creative process while shaping your character?

Vedika: Our writer, Sharanya, handed me the script with a beautiful note asking me to make the character my own. Although she had spent nearly two years writing it, she encouraged all of us to contribute our perspectives. Our workshops became creative discussions where scenes, dialogues and even small moments evolved collectively. It was a genuinely collaborative experience, and I think that’s one of the reasons the characters feel so authentic.

By Keerti Kadam

The post Interview: Vedika Pinto: We All Carry Different Emotional Shades Depending On The Situations We Face! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

CB: After projects like ShowTime, Antim and Tumse Na Ho Payega, what made Musafir Cafe the right choice for you?
Mahima: I was waiting for something that felt genuinely different. Every project teaches you something new, but after ShowTime, I wanted to challenge myself with a completely different space. Musafir Cafe offered exactly that. The script immediately resonated with me, and I knew it was the opportunity I had been waiting for.

CB: The waiting period between projects can be difficult for actors. How did you deal with it?
Mahima: Waiting is probably the toughest part of an actor’s life. Being on a film set is actually the easiest because that’s where I feel most alive. During those two years, I was working, but some projects simply didn’t release. Instead of getting frustrated, I used that time to travel, understand myself better and realise that life is much bigger than work. Many things are beyond our control, so you learn to accept that.

CB: Television gave you your first break and immense popularity. How do you look back at that phase?
Mahima: I will always be grateful to television because it gave me my identity. Even today, people recognise me as Rachna from Sapne Suhane. Sometimes we underestimate television’s reach, but the love it gives lasts for years. It made me a household name and laid the foundation of my career.

CB: How was your off-screen bond with Vedika Pinto? Were there ever any insecurities or competition?
Mahima: We bonded more off-screen than on-screen. I don’t think such issues are about gender; they depend on the individual. If you’re secure in yourself, there is no room for unnecessary competition. We respected each other from day one, and that positive environment reflected in our performances.

CB: How did Musafir Cafe come to you?
Mahima: I was shooting another film in a village when casting director Karan Mally called and simply said Netflix was making a love story. I auditioned without knowing much about the project. After the chemistry test with Vikrant Massey and reading the script, I knew this was exactly the kind of story I had been waiting to do.

CB: What was it like sharing screen space with Vikrant Massey?
Mahima: It’s a special story because I had met Vikrant years ago on the sets of Balika Vadhu. At a time when I was being scolded by a director as a child actor, he was one of the few people who treated me with kindness. Fifteen years later, we were working together. He’s an incredibly generous actor who never carries the weight of his achievements onto the set. Acting with him feels like a collaboration where both actors elevate each other.

CB: How did that friendship develop off-screen?
Mahima: We shared a very comfortable equation. You don’t always find good people in this industry, so when you do, you value them. There was mutual respect among everyone on the team—from our writer and director to Vedika and Vikrant—and that made the entire experience memorable.

CB: Since Musafir Cafe is based on a novel, did you read the book before shooting?
Mahima: No, I didn’t. It was a conscious decision because although the series is inspired by the novel, several elements have been adapted. For me, the script is my Bible. I wanted to stay completely faithful to what the writer had envisioned and avoid creating a different interpretation in my mind.

CB: What does love mean to you?
Mahima: Every generation defines love differently, but I still believe in old-school romance, commitment and marriage. For me, love is about finding a sense of home in another person. I respect everyone’s choices, but personally, I believe in meaningful, long-term relationships.

CB: Did Musafir Cafe work better as a web series than as a film?
Mahima: Absolutely. Some stories need time to breathe. The series format allows the audience to understand the characters, their emotions and motivations in much greater depth. That’s ultimately a creative decision made by the writer and filmmaker, and I believe it was the right one for this story.

CB: Romance has become a rare genre on OTT. Do you think audiences still crave it?
Mahima: Definitely. We’ve grown up watching love stories, and I think audiences still miss them. While thrillers and crime dramas are everywhere, there’s always room for stories that make you smile, cry and feel emotionally connected. That’s what makes Musafir Cafe special.

CB: The performances in Musafir Cafe feel very organic. How collaborative was the creative process?
Mahima: Filmmaking is always collaborative. Our writer Sharanya gave us beautifully written characters but also encouraged us to bring our own experiences into them. When actors, writers and directors trust one another, the characters become more authentic. We were emotionally invested in these roles, and saying goodbye to them after the shoot was genuinely difficult.

CB: How important was Antim in your career?
Mahima: It was life-changing. My biggest dream—and my mother’s dream—was to see me on the big screen. I had auditioned for films while working in television, but it always seemed impossible. After Salman Khan noticed me during a Bigg Boss promotion, I auditioned and landed Antim. It changed the course of my career.

CB: Would you return to television?
Mahima: Every medium has contributed to my journey. Television gave me recognition, while films and OTT have allowed me to explore a wider range of characters. As an actor, I simply want to keep evolving and telling different stories, irrespective of the platform.

CB: Antim released during the pandemic and couldn’t realise its full box-office potential. Do you still hope to be part of a big commercial entertainer?
Mahima: Of course. But I’ve also learned that an actor can only control the work they do, not the outcome. Antim may not have achieved everything commercially, but it gave me the transition I had always dreamed of. For that, I’ll always remain grateful. Everything else will happen at the right time.

By Keerti Kadam

The post Interview: Mahima Makwana: ‘Television Made Me Who I Am, But I Always Dreamt of the Big Screen’! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

Keerti Kadam: Despite witnessing numerous highs and lows in your career, you have remained grounded. What is the secret behind it?

Akshay Kumar: There is no great secret. We are here to work, do our job sincerely, and return home. If a film fails, there is little point dwelling on it. Instead, one should analyse what went wrong and learn from it. Life is full of ups and downs, but the key is to keep moving forward. There is an old saying: when a storm arrives, keep your head down, and even after it passes, keep your head down. Humility and patience keep you focused and protected.

Keerti Kadam: You complete several films every year. Where do you derive such discipline and energy from?

Akshay Kumar: Discipline has become an integral part of my personality. For the past 36 years, I have followed the same routine. Growing up, I watched my father wake up early every day, work hard, and return home in the evening. From him, I learned the values of hard work and consistency. Success is not about one extraordinary achievement; it is about showing up every day and doing your work honestly.

Keerti Kadam: Comedy is often considered the most difficult genre of acting. Do you agree?

Akshay Kumar: Absolutely. Making someone emotional is comparatively easier because the story and circumstances support you. Making people laugh, however, is a true challenge. Comedy demands impeccable timing, observation, and an understanding of human behaviour. Unfortunately, comic performances do not always receive the recognition they deserve. Making people laugh is one of the finest forms of art.

Keerti Kadam: You are known for your disciplined lifestyle and early mornings. How do you manage night shoots?

Akshay Kumar: Night shoots are completely different from my usual routine. I prefer starting early and finishing work by evening. However, filmmaking requires flexibility. When night shoots are necessary, I adjust my schedule accordingly and ensure I get sufficient rest and recovery. Ultimately, the film’s requirements come first, and one must do whatever is needed to achieve the best result.

Keerti Kadam: Audiences will once again see you alongside Johny Lever. What can they expect?

Akshay Kumar: Johny Lever and I share a long professional association. We have worked together in several films and enjoyed tremendous chemistry on screen. In Welcome To The Jungle, audiences will experience both nostalgia and fresh entertainment. The film offers comedy, adventure, action, and emotional moments, making it a complete family entertainer.

Keerti Kadam: Actors from the Bhojpuri film industry are increasingly finding opportunities in mainstream Bollywood. How do you view this trend?

Akshay Kumar: An artist should be judged by talent, dedication, and hard work, not by language or region. India is blessed with diverse film industries, each contributing exceptional talent. I do not believe Bhojpuri actors should be viewed differently. Today, audiences appreciate quality performances, and talent transcends all linguistic boundaries.

Keerti Kadam: In Welcome To The Jungle, you portray a Bhojpuri actor. How was your experience with the language and culture?

Akshay Kumar: It was an enjoyable and fascinating experience. One of the film’s most memorable dialogues is, “Bhojpuri is better than Hollywood.” I play a Bhojpuri actor who gets an opportunity in Hindi cinema, leading to a series of amusing situations. Bhojpuri cinema has a rich cultural heritage and a massive audience. Since Bhojpuri and Hindi share many similarities, learning the language was not particularly difficult. However, every language has its own rhythm and flavour, and I made a conscious effort to capture that authenticity.

Keerti Kadam: As both an actor and producer, how important is it to balance entertainment with social messaging?

Akshay Kumar: That balance is extremely important. Cinema is primarily a medium of entertainment. Audiences come to theatres to experience stories and emotions. If a film focuses only on delivering a message, it risks becoming a documentary. Social themes become impactful when they are woven into compelling stories filled with drama, humour, and emotional engagement. The ideal Indian film is one that successfully combines entertainment with meaningful content.

Keerti Kadam: Your fitness and lifestyle inspire millions. How do you maintain physical and mental well-being?

Akshay Kumar: Physical fitness comes from regular exercise, proper nutrition, adequate rest, and discipline. There are no shortcuts; consistency is the key. Mental fitness, on the other hand, comes from simplicity, gratitude, and a positive outlook on life. I believe in staying connected to my roots, treating people with respect, and living honestly. Happiness is not dependent on wealth or success. We were happy when we had very little, and we are happy today. True peace comes from gratitude, simplicity, and maintaining balance in life.

By Keerti Kadam

The post Interview: Akshay Kumar: “When a storm arrives, keep your head down. Even after it passes, keep your head down”! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

Cine Buster: Pure love is often said to be unconditional. What would you like to share about your new web series Premala Conditions Apply?

Janhavi Uday: The title itself is quite intriguing because it brings together two seemingly contradictory ideas love and conditions. The story revolves around Rishi and Ananya, whose lives are governed by certain rules and limitations. In particular, workplace policies create challenges in their relationship, forcing them to navigate a series of obstacles. However, despite these hurdles, the audience will witness how they grow together, understand themselves better, and evolve as individuals. It is not merely a love story but also a deeply emotional journey of two people discovering themselves and each other.

Cine Buster: How were you selected for this project?

Janhavi Uday: As with most projects, it began with an audition call. This was followed by multiple screen tests, auditions, and discussions. The selection process was quite extensive and detailed. I had previously worked with director Gaurav (Patki), and I was eager to collaborate with him again because every project with him offers a new learning experience. His approach to filmmaking is thoughtful and nuanced. Moreover, the story was compelling, and having a talented co-actor like Siddharth (Menon) on board made the project even more exciting.

Cine Buster: How was your first meeting with Siddharth?

Janhavi Uday: We first met during the chemistry test for the series. Before that, we were aware of each other’s work but had never met in person. The chemistry test went well, and we soon began script readings together. Interestingly, we did not get much opportunity to spend time together before the shoot. Many of our discussions and rehearsals took place over video calls. However, once we met on set, our interaction felt very natural and effortless, which ultimately translated well into our on-screen chemistry.

Cine Buster: What is your perspective on competition in the acting industry?

Janhavi Uday: I have been working since I was sixteen years old, and from the very beginning, my outlook towards work has been quite different. For me, acting has never been about competition; it has always been a journey of self-enrichment and continuous learning.
In this industry, comparisons and competition are often inevitable, and many people tend to measure themselves against the success of others. However, I have never subscribed to that mindset. Every artist has a unique journey, background, set of opportunities, and experiences. Instead of comparing ourselves with others, it is far more meaningful to focus on becoming better than we were yesterday.
My greatest motivation lies in portraying a character with honesty and authenticity and ensuring that the audience connects with it. I firmly believe that when one works with dedication, sincerity, and commitment, the rewards eventually follow. Therefore, rather than dwelling on competition, I choose to focus on my work, my learning process, and my personal growth.
For me, the true measure of success is evolving continuously as an artist and learning something new from every project.

Cine Buster: How did you prepare for your role in this series?

Janhavi Uday: Premala Conditions Apply spans ninety episodes, which means our shooting schedule is extremely demanding. We often film multiple scenes in a single day, leaving limited time for extensive preparation for each one. Nevertheless, before every scene, we make it a point to spend a few minutes understanding the emotional journey of the characters.
We discuss the character’s mental state, emotional transitions, the arc of the scene, and ways to make it more impactful. These conversations, often involving director Gaurav as well, help us approach each scene with clarity and depth.
I believe acting is not merely about delivering dialogues; it is about understanding people and their emotional worlds. Observation, therefore, becomes one of the most important tools for an actor. Every day, we encounter people with different habits, mannerisms, and ways of expressing themselves. These observations gradually become part of our subconscious and later enrich our performances.
The more attentively we observe life and seek to understand people, the more authentic and relatable our characters become. In this series, too, I have drawn upon many such observations and personal experiences to shape Ananya’s character, making her journey feel genuine and relatable to the audience.

Cine Buster: Your debut film was Aarpaar. How was that experience?

Janhavi Uday: Aarpaar will always remain a very special project for me. At that time, I was working in the corporate sector. I would spend the day at work and then attend rehearsals and discussions over video calls late into the night. Gaurav and I would analyse the character in detail and carefully work through every scene.
Although my role had a limited screen space, the character had a beautiful arc and a meaningful journey. The experience was immensely enriching, and the lessons I learned from that project continue to stay with me even today.

Cine Buster: Which medium of entertainment appeals to you the most?

Janhavi Uday: Since childhood, my mother introduced me to the world of art and culture. She would take me to plays, films, and musical performances, which nurtured my love for acting and the arts from a very young age.
Cinema remains my favourite medium because of its vast reach and impact. At the same time, I am deeply fascinated by theatre and hope to work on stage in the future as well.

Cine Buster: What are your thoughts on the audience response to Marathi cinema?

Janhavi Uday: I believe that instead of complaining that audiences are not coming to theatres or not responding to content, we should focus on creating meaningful and honest stories. When a narrative is told with sincerity and emotional authenticity, audiences invariably connect with it.
Rather than blaming viewers, it is important for creators to reflect on what new and high-quality content they can offer. With Premala Conditions Apply, we have made a conscious effort to keep viewers engaged and eager to watch the next episode.
It is a light-hearted, romantic, and emotionally engaging story filled with situations that people can easily relate to. I would encourage everyone to watch the first few episodes. I am confident that once you begin, you will be curious to know what happens next and will continue following the journey.

By Keerti Kadam

The post Interview: Janhavi Uday: “I Always Focus on My Work, the Learning Process, and My Own Growth”! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

Q: You are a new addition to the second season of Gram Chikitsalay. Were you excited or nervous about joining a show whose characters were already well established?

Dinesh Lal Yadav: I was immensely excited. In fact, I came into the project as a viewer because I had already watched and thoroughly enjoyed the first season. I admired the way the characters of Dr. Prabhat and Dr. Gargi were portrayed, and when I was offered an opportunity to become part of that world and contribute a new layer to the story, I felt truly fortunate. I have great faith in the TVF team because they invest significant effort in research and storytelling. Once I understood the script, I was confident that if we portrayed our characters with sincerity and honesty, everything else would naturally fall into place.

Q: You are already a celebrated name in the Bhojpuri film industry. After achieving success through films, television and reality shows, does every new milestone bring fresh challenges?

Dinesh Lal Yadav: Absolutely. I regard every new opportunity as a fresh beginning. Struggle and hard work are constants in every individual’s journey. When we look back at life, we often realise that every experience serves a purpose and eventually connects to a larger picture. I firmly believe that if one remains dedicated, focused and committed to one’s goals, success follows in it’s own time. Honest effort never goes unrewarded.

Q: Did you always dream of becoming such a successful performer?

Dinesh Lal Yadav: Interestingly, my dreams were very modest. During my student days, I would watch devotional programmes on television where singers performed while a group of people sat behind them applauding. My only dream at that time was to one day be among those people and appear on television. I never imagined anything beyond that. However, life often exceeds our expectations. When you pursue your aspirations with sincerity and perseverance, destiny sometimes rewards you far beyond your imagination.

Q: Bhojpuri cinema is deeply rooted in grassroots stories and social realities. How do you balance those realities with the glamour associated with the Hindi entertainment industry?

Dinesh Lal Yadav: Human emotions remain the same regardless of geography. Whether one lives in a village, a city or another country altogether, people experience similar emotions, relationships, conflicts and aspirations. Circumstances may differ, but human nature remains universal. That is precisely why stories emerging from rural India resonate with audiences everywhere—they reflect truths about life that transcend boundaries.

Q: Among singing, acting and television, which medium gives you the greatest satisfaction?

Dinesh Lal Yadav: Singing on stage gives me the greatest sense of fulfilment. The audience is present before you, and their response is immediate. You instantly know whether they are enjoying your performance. Acting is a different experience because you perform today and receive feedback months later after the project is released. The direct connection and energy exchanged between a singer and a live audience is something truly special.

Q: Has fame changed your relationship with the people from your village and your constituency?

Dinesh Lal Yadav: Not at all. Even today, I remain approachable and accessible to people. I interact with them just as I always have. Security arrangements may exist because of my public responsibilities, but I never allow them to create a barrier between myself and the people. After all, it is their affection, trust and support that have contributed to my journey and success.

Q: What are your views on the development of healthcare facilities in rural India?

Dinesh Lal Yadav: I believe significant progress is taking place. Earlier, if there were shortcomings in a village hospital, it was difficult to bring them to public attention. Today, almost everyone has access to a mobile phone. If a doctor is absent or a facility is not functioning properly, people can document it immediately and share it. Public awareness has increased tremendously, and with greater awareness comes greater accountability. As a result, improvements are happening much faster than before.

Q: Have you ever found yourself worrying excessively about your health?

Dinesh Lal Yadav: Many times. As performers, we are constantly concerned about staying healthy, especially about protecting our voices and avoiding illness before an important performance. There have been occasions when I got drenched in the rain and rushed to a doctor seeking medicine before I had even developed any symptoms. The doctors would laugh and tell me that my anxiety was causing more trouble than the rain itself. Those experiences taught me an important lesson—that sometimes we must relax, trust our bodies and avoid overthinking every small concern.

By Keerti Kadam

The post Interview: Dinesh Lal Yadav ‘Nirahua’: Singing on stage gives me the greatest sense of fulfilment! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

Akanksha:
To be honest, I think the success of Season 1 did the exact opposite. Instead of creating pressure, it boosted our confidence. We already knew that audiences had connected with and loved these characters, which gave us the freedom to explore their journeys in greater depth. The writers were also very attentive to the feedback received after the first season and worked on aspects that viewers wanted to see developed further. We genuinely enjoyed making this season, and I believe audiences will have an equally enjoyable experience watching it.

Q: Did you have a feeling that the show would become such a success?

Akanksha:
Whenever I choose to be part of a project, it is because I truly believe in it. If I do not connect with a script, I simply do not take it up. The fact that TVF was backing the project gave me a great deal of confidence from the outset. Once I read the script and understood the world the creators were building, I felt there was something unique and special about it. Of course, no one can accurately predict how a show will perform, but I certainly had a positive feeling about it from the very beginning.

Q: As someone who is often perceived as an insider, do you think your journey in the industry was easier than that of outsiders?

Akanksha:
Honestly, I do not think the insider-outsider debate makes a significant difference for the vast majority of actors. Perhaps a very small percentage may have certain advantages, but for most actors, the journey is remarkably similar. Everyone has to audition, face rejection, wait for opportunities and continuously prove themselves. I began auditioning when I was nineteen years old and received my first major break only in 2019. Before that, I worked in public relations, took up influencer assignments and continued auditioning consistently. Persistence, patience and resilience are essential qualities for every actor, regardless of their background.

Q: Why did you choose films and OTT platforms over television?

Akanksha:
It was never about choosing one medium over another. What mattered to me was the kind of characters I wanted to portray. At that point in time, I was particularly interested in playing strong, contemporary urban women, and I found more such opportunities in films and digital content. The roles I admired and aspired to perform were largely being written for films, so my journey naturally gravitated in that direction.

Q: Do you feel television content was more progressive in the past?

Akanksha:
Absolutely. In fact, I would say it was far more progressive. Shows such as Saans and Kadam featured layered, nuanced and compelling storytelling. As a child, I watched those programmes and often thought how wonderful it would be to portray characters like those someday. Unfortunately, television storytelling gradually evolved in a different direction, and many of those complexities and subtleties became less common.

Q: Do you enjoy portraying small-town characters more, or do you prefer urban roles?

Akanksha:
For me, satisfaction comes from the quality of the character rather than the setting. Whether a character belongs to a village or a metropolitan city is secondary. What truly matters is the character’s emotional journey, motivations, aspirations and conflicts. That said, Gram Chikitsalay was particularly fulfilling because it gave me an opportunity to portray a small-town character convincingly, something that many people may not have expected from me.

Q: During the shoot, you had an interesting experience at a rural hospital. Could you tell us about it?

Akanksha:
Yes, certainly. While we were filming in Balaghat, I had to take a series of rabies injections, which required multiple visits to a local hospital. Initially, I was a little apprehensive because I did not know what to expect. However, I was pleasantly surprised by the experience. The hospital was clean, well-organised and efficiently managed. The doctors and nursing staff were professional, courteous and highly competent. The experience challenged many of my preconceived notions and left me feeling optimistic about the quality of healthcare available in smaller towns.

Q: Based on your experience, do you believe healthcare facilities in rural India are improving?

Akanksha:
From what I personally witnessed, I would certainly say yes. While there is always scope for further improvement, I was genuinely impressed by the facilities and systems I observed in Balaghat. It was encouraging to see the progress that has been made, and I sincerely hope that similar improvements continue to reach more regions across the country in the years to come.

By Keerti Kadam

The post Interview: Akanksha Ranjan Kapoor: Persistence, patience and resilience are essential qualities for every actor, regardless of their background! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

Q: How did Main Vaapas Aaunga come your way?
Vedang Raina: It all started with what I assumed would be a routine industry meeting with Imtiaz sir. Actors often meet directors and producers without any specific project being discussed; it’s usually a way of getting acquainted and understanding whether there might be a creative fit in the future.
What surprised me was the length of the conversation. Most such meetings wrap up within ten or fifteen minutes, but this one went on for over an hour. We spoke about Kashmir, music, art, culture, and life in general. Interestingly, there was no mention of a film. I walked away thinking that he was one of the most fascinating people I had ever met.
Several months later, I met him again. By then I hoped there might be a role somewhere in the picture, but he still didn’t approach it conventionally. Instead of presenting a script, he narrated situations and story ideas while observing my reactions. The screenplay wasn’t complete at the time. He only had a broad narrative and a few scenes worked out. The moment I realised he was considering me for the film, I immediately agreed. There wasn’t even a finished script to read, but my trust in him was enough. If Imtiaz Ali felt I belonged in his story, that was all the assurance I needed.

Q: As a representative of Gen Z, what kind of impact would you like to have through your work?
Vedang Raina: I don’t think in terms of influencing an entire generation. My first responsibility is to choose roles that genuinely excite me. If I don’t feel challenged or inspired by a character, I know I won’t be able to give my best performance.
What I want is to keep experimenting with different kinds of roles and continue growing as an actor. Beyond that, it’s difficult to gauge how people truly perceive you today. Social media creates so much noise that it’s often impossible to distinguish genuine appreciation from publicity-driven narratives.
Even when I see positive reactions to our work, I sometimes wonder how much of it reflects real audience sentiment. Everything feels amplified online. So rather than focusing on my impact, I prefer concentrating on the work itself and trusting that sincere effort will eventually connect with people.

Q: Do you believe you’ve earned a place among the industry’s respected young actors?
Vedang Raina: I would like to reach that stage one day, but I don’t think it’s for me to decide.
To be honest, fame has never been my primary motivation. Financial security has always felt more important because that’s something I haven’t always had. More than popularity, I want filmmakers and audiences to see me as a dependable actor.
My ambition is simple: to keep improving with every project. If people eventually say that I am committed, hardworking, and capable of delivering a strong performance, I will consider that a far greater achievement than fame itself.

Q: Since this is a period film, how did you prepare for your character?
Vedang Raina: In many ways, Keeno is the most different character I’ve ever played. He couldn’t be further removed from my own personality.
He’s a young Sikh man who is shy, reserved, and socially awkward. He’s not someone who can confidently express his emotions, especially around women. In his own mind, he thinks he’s charming and composed, but the reality is quite the opposite—he becomes nervous and flustered very easily.
That contrast fascinated me. Instead of approaching the role with preconceived ideas, I decided to surrender completely to Imtiaz sir’s vision. I arrived on set without any agenda of trying to appear heroic or glamorous because the character didn’t require that.
I treated myself like a blank canvas and absorbed whatever guidance he offered. My only goal was to faithfully execute his interpretation of the character. If I have managed to do that, I feel I’ve succeeded.

Q: You have often spoken about your love for music. What was it like working with A.R. Rahman?
Vedang Raina: Honestly, when you’re working with A.R. Rahman, there’s no question of trying to “vibe” with him—he’s A.R. Rahman.
The opportunity itself felt surreal. He wasn’t physically present during the recording sessions because he was travelling, while I was recording from Mumbai. Most of our interactions happened virtually through FaceTime.
Even those brief conversations meant a lot to me. For anyone who loves singing, the chance to record for Rahman sir is a dream. I remember being incredibly nervous whenever I spoke to him. My biggest hope was simply that he would like my voice enough to keep it in the film. Thankfully, that worked out, and I couldn’t be more grateful.

Q: The film deals with Partition and displacement. Which scenes affected you the most emotionally?
Vedang Raina: The Partition sequences were undoubtedly the most difficult.
Before preparing for the role, I had only heard stories from family members and older generations. But visiting the Partition Museum in Amritsar changed everything. Reading personal testimonies, seeing photographs, and learning about the experiences of people who lived through that period made the history feel painfully real.
One particular sequence connected deeply with me. There’s a song in the film called Woh Nahi, which follows my character’s emotional transformation. Initially, he is carefree, deeply in love, and completely attached to his home and community. Then everything is taken away from him.
At one point, he cries out, “I will come back,” addressing not only the woman he loves but also the homeland he is being forced to leave behind. Losing that sense of belonging changes him forever. Portraying that emotional evolution was challenging but immensely rewarding. Much of the credit goes to Imtiaz sir, who helped shape and guide every aspect of that journey.

Q: How would you describe your friendship with Sharvari off-screen?
Vedang Raina: Sharvari and I developed a wonderful friendship during the making of the film, and I think that comfort translated naturally into our performances.
We spent a lot of time discussing the screenplay, analysing scenes, and understanding our characters. Both of us approach our work in a similar way—we enjoy breaking down scripts, making notes, and exploring details.
Whenever we had free time, we’d sit together and rehearse. In fact, we were so eager to discuss scenes with Imtiaz sir that we sometimes joked about tossing a coin to decide who would call him first and ask if he was available for a reading session.
Imtiaz sir told us it was probably the first time actors had actively requested rehearsals from him instead of the other way around. We considered that a compliment.
Outside of work, we also enjoyed exploring Punjab together, sampling local food, eating kulchas, drinking lassi, and simply soaking in the atmosphere. It turned into a memorable experience both professionally and personally.

By Keerti Kadam

The post Interview: Vedang Raina: My Ambition Is To Keep Improving With Every Project! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

Q: The title Main Vaapas Aaunga carries a sense of longing and melancholy. How do you interpret it?
Imtiaz Ali: I feel that every human being carries within them a desire to return to something they have lost along the way. There is always a place, a person, a moment, or a feeling that remains unfinished in our hearts. Some people are fortunate enough to revisit it, while many spend their lives longing for it.
The title reflects that universal emotion. If you think carefully about your own life, you will probably discover something you wish you could return to. That yearning makes the title deeply personal.
The film revolves around a 95-year-old man suffering from Alzheimer’s disease. Though confined to his bed and losing touch with the present, one memory remains vivid. During Partition, he was forced to leave his homeland, his loved ones, and the woman he cherished. As he boarded the train that took him away, he made a silent promise to himself: “Main Vaapas Aaunga”—I will return.
Decades later, as his life draws to a close, that promise continues to live within him. While Partition provides the historical setting, the essence of the film is a love story.

Q: Partition continues to be one of the deepest emotional scars in the subcontinent’s history. What inspired you to tell a story set during that period?
Imtiaz Ali: Over the years, I have spoken to countless elderly men and women from Punjab, Bengal, and other regions who experienced Partition first-hand. Many of them are now in their late eighties and nineties. Some have forgotten much about their present lives, yet their memories of pre-Partition days remain astonishingly vivid.
What struck me most was that they rarely spoke about violence. Instead, they remembered the people they loved, the homes they grew up in, childhood belongings, neighbours, friendships, and small everyday moments. Those memories seemed untouched by time.
Cinema has often depicted Partition through its horrors—violence, displacement, and tragedy—and rightly so. But I felt there was another emotional truth that deserved attention: the enduring power of love and memory.
I remember meeting an elderly woman who, in her final days, kept reliving her journey during Partition. She repeatedly asked whether her childhood doll had been packed safely before the family fled. At that moment, she was not concerned about wealth or property. What mattered was that doll and the memories attached to it. That emotional attachment had survived an entire lifetime. Stories like hers inspired this film.

Q: In a world increasingly marked by division and conflict, what relevance does this story hold today?
Imtiaz Ali: I often think about how, during periods of social unrest, people gravitate towards art that offers hope and joy. In difficult times, tenderness becomes even more valuable.
This film emerges from that understanding. When life becomes harsh, people cling more tightly to love and human connection. The protagonist of this story experiences immense loss, yet he safeguards the memory of love throughout his life.
I believe cinema should fill emotional voids. At a time when anger and conflict dominate so many conversations, perhaps what audiences need most are stories that celebrate compassion, beauty, and emotional warmth.

Q: Is there a Partition-related film that left a lasting impression on you?
Imtiaz Ali: Tamas had an extraordinary impact on me. I found it deeply moving and remarkably balanced in its portrayal of one of history’s most painful chapters. The performances were outstanding, and the storytelling was incredibly powerful. Since it was based on the work of acclaimed writer Bhisham Sahni, it carried tremendous emotional authenticity. It remains one of the most memorable works on Partition that I have seen.

Q: Partition narratives are usually associated with tragedy. How did you ensure that love remained central to the story?
Imtiaz Ali: I never consciously tried to create a balance between pain and romance. My focus remained on telling an honest love story.
At its heart, the film is about an elderly man who continues to hold on to the memory of a woman he loved many decades ago. Partition creates the circumstances that separate them, but the emotional core is their connection.
For him, this woman represents much more than a romantic relationship. She embodies home, identity, beauty, comfort, and everything he lost when he was forced to leave. Once I understood that emotional truth, the story naturally took shape around it.

Q: You are returning to theatres with this film after some time. How has the theatrical landscape evolved over the years?
Imtiaz Ali: The experience has changed dramatically, particularly after the pandemic. Audience expectations and viewing habits are very different today.
Certain genres immediately command attention on the big screen because they rely on scale, action, or spectacle. Love stories, however, demand patience and emotional investment. Their impact unfolds gradually.
With Main Vaapas Aaunga, the challenge was to create a love story that feels immersive and compelling enough to engage contemporary theatre audiences while remaining emotionally honest. That balance was extremely important to me.

By Keerti Kadam

The post Interview: Imtiaz Ali: My Focus Remains On Telling An Honest Love Story! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

CB: In Governor, you portray S. Venkitaramanan, the bureaucrat who played a pivotal role in transferring India’s gold reserves overseas during the 1991 economic crisis. How difficult do you think that decision must have been for him?
MB: I would call it an act of courage rather than merely a bold decision. He understood that the country had reached a point where conventional solutions were no longer enough. When a nation is faced with a severe financial emergency, extraordinary measures become unavoidable. The logic behind his decision was quite straightforward. Just as an individual relies on savings during difficult times, he believed the country should use its most valuable assets to survive a crisis.
Naturally, such a move was not easy to accept. While political leaders may have recognised its necessity, pledging national assets to secure financial relief was emotionally and politically challenging. Families part with their most cherished possessions only when they have exhausted all alternatives. In the same way, Venkitaramanan applied a deeply human principle on a national scale.
What makes his achievement remarkable is that he managed to persuade policymakers despite the prevailing political uncertainty. He enjoyed the confidence of leaders like Rajiv Gandhi and economists such as Dr. Manmohan Singh. Executing such a sensitive operation discreetly and helping pull India back from the brink of a financial collapse was an extraordinary accomplishment.

CB: Audiences have appreciated how convincingly you have captured his speech patterns and personality. How did you approach that aspect of the role?
MB: It demanded extensive preparation. Since the film is intended for a Hindi-speaking audience, accessibility was important. At the same time, the character came from a distinct cultural and linguistic background, which had to be reflected authentically.
The challenge was to preserve the flavour of his roots without making the character difficult for audiences to connect with. Furthermore, Venkitaramanan was an accomplished IAS officer. He was highly educated and articulate, so it would have been inaccurate to portray him as uncomfortable in Hindi or English. I therefore incorporated subtle regional influences while ensuring his sophistication remained evident. Thankfully, viewers seem to have connected with the portrayal, and the positive response has been reassuring.

CB: Apart from language and mannerisms, what other preparations went into building the character?
MB: Character creation is never an overnight process. It develops gradually through continuous research and observation. You keep reading, gathering information, discussing ideas with the director, and studying every available reference.
Since my academic background is in History and not Economics, I had to invest time in understanding the economic environment of that period. I familiarised myself with concepts such as GDP, fiscal deficits, and balance-of-payments issues because they were central to the story.
At the same time, I tried to understand the man behind the title. How did he behave? What influenced his posture, gestures, and overall presence? Body language often reveals a person’s inner world. Combining factual research with emotional understanding is what ultimately shapes a convincing performance. By the time all these elements come together, the transformation into the character has already begun.

CB: Have you ever felt the burden of carrying an entire film as its central performer?
MB: The only burden I willingly carry is the responsibility of delivering an honest performance. That pressure never goes away. My focus is always on ensuring that every character feels genuine and distinct.
I have never wanted audiences to see repetitions of my previous work. Each role should have its own identity, its own voice, and its own emotional landscape. Maintaining that individuality from one project to another is the challenge that keeps me motivated.

CB: Earlier, you were speaking about Chinmay Mandlekar. As an actor himself, does that give him an advantage as a director?
MB: Absolutely. It makes a tremendous difference. Whenever I encounter difficulties during a scene, Chinmay immediately understands what I am going through because he has experienced similar situations himself.
Acting is often misunderstood by those watching from the outside. It is similar to spectators analysing a cricket match from the stands without realising how quickly a fast bowler delivers the ball. Only the player on the field truly understands the challenge.
Likewise, only an actor can fully appreciate the emotional and technical complexities involved in performing before a camera. Chinmay recognises those challenges instinctively and knows how to guide actors through them. That understanding made our collaboration on Governor extremely rewarding, just as it did when we worked together on Inspector Zende. His sensitivity towards the actor’s process is one of his greatest strengths as a director.

By Keerti Kadam

The post Interview: Manoj Bajpayee: Maintaining Individuality From One Project To Another Keeps Me Motivated! first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.

Over the years, Chitrangada has impressed viewers with memorable roles in films such as Inkaar, Desi Boyz, Yeh Saali Zindagi and Saheb Biwi Aur Gangster 3, while also being part of grand commercial entertainers like Housefull 5. Her acting is marked by a rare blend of sensitivity and strength, where quiet restraint often speaks louder than words. With her versatility, natural beauty and expressive power, she has carved a distinctive space for herself in Hindi cinema. She also stepped into film production with Soorma.

In recent times, her performances in OTT projects like Gaslight and Khaki have taken her craft to a new level, earning her renewed appreciation. Now, with Raat Akeli Hai: The Bansal Murders set for release, Chitrangada spoke to our Sr Editor Keerti Kadam, about her journey, her characters and the evolving landscape of storytelling.

Your performances in Gaslight and Khaki were widely appreciated. Now, your character in Raat Akeli Hai feels strikingly different and refreshingly new. Do you feel that OTT platforms have broadened the horizon of roles and opportunities for you?

Absolutely. To be honest, I sometimes feel I should have embraced OTT a little earlier. Perhaps I was late, but the phase I’m in now—working with such gifted directors, writers and actors—has been incredibly enriching and inspiring. Their perspectives push you to unlearn, relearn and rediscover yourself as an actor. OTT has emerged as the perfect medium for me because it allows space for layered characters, bold themes and nuanced storytelling. You’re not confined to conventional formats; you can experiment freely and take creative risks. In that sense, OTT has opened up a vast, exciting and hopeful new path for me.

Your character in this film is intense, complex and emotionally charged. How close—or distant—is it from your real personality?

It’s both close to me and completely different at the same time—it occupies a very intriguing middle ground. The character carries immense emotional complexity, layered with tension, pain and vulnerability. To explore those depths, I had to prepare myself mentally, and it took time to unravel her inner knots. Yet, she never felt entirely alien to me. There were moments when I thought, if I were in her place… (laughs) perhaps I, too, might have taken an extreme step—maybe even committed a murder. As an actor, when you step into such characters, you begin to discover hidden facets within yourself, and that’s what makes the process so thrilling.

What is Honey Trehan like as a director? Did he guide you closely through scenes?

Honey sir is a true perfectionist. I’ve worked with many directors, but collaborating with him feels like attending an acting masterclass. I learned so much during this journey. What truly stands out is the love and respect he has for his actors. When you sense that your director believes in you, cares for you, and genuinely wants to bring out your best, it pushes you to give more than a hundred percent. There were moments when capturing a particular emotion felt challenging, but the process of reaching it eventually became very beautiful. Overall, it was a deeply fulfilling and joyful experience.

Many people fondly compared you to Smita Patil. Did you ever feel that resemblance yourself?

Yes, very much so. During my very first film, Hazaaron Khwaishein Aisi, many people pointed it out to me. The look of that phase—the sarees, the simple bun, the calm in the eyes, and the restrained emotional expression—made several people see a glimpse of Smita Patil in me. Honestly, that remains one of the greatest compliments of my life. She wasn’t just an actress; she was an entire university of sensitive, soulful acting.

One moment, in particular, remains etched in my memory. At the first screening of my debut film, filmmaker Ketan Mehta—who had worked extensively with Smita Patil—was present. At that time, I didn’t even know who he was. After the screening, he came up to me with tears in his eyes. He didn’t make a long speech; he simply said, “You are rare,” and walked away. Later, when I learned who he was, I truly understood the weight of those two words. The warmth of that moment and the quiet, heartfelt appreciation he offered are memories I will cherish for a lifetime.

By Keerti Kadam

The post Interview : Chitrangada Singh: Many People Saw a Reflection of Smita Patil in Me first appeared on Latest News, Breaking News, National News, World News, India News, Bollywood News, Business News, Politics News, Sports News, Entertainment News - CineBuster.